Polytechnic Museum, Moscow

About the project

The restoration and modernization project of the Polytechnic Museum envisions both technical and conceptual renewal, transforming it into a new-generation science museum. The studio worked on the planning, thematic zoning, and interior design of all indoor spaces in close collaboration with exhibition designers and restorers. The team designed the museum’s interiors as well as the adjacent square and garden, which connect the museum’s former basement level with the city.

  • Address
    Novaya Square, 3/4, Moscow
  • Client
    Polytechnic Museum Development Fund
  • Year (Design)
    2015 - 2019
  • Year (Implementation)
    2017 - to date
  • Area
    48 200m2
  • Oldest Technic Museum

    The construction of the Polytechnic Museum lasted for about 30 years and was completed in 1912. Its scale and age imposed certain constraints on us as architects during the design process. The main challenge and research focus turned out to be not the design of the exhibition itself, but rather the integration of engineering systems. Archival materials on the building’s structure were not always available to guide us and the engineers. Moreover, all the walls in the museum are load-bearing, which made studying and working with the communications even more complicated. In the end, we managed to integrate new engineering systems into the structure, thus preparing the building for modern-day operation.

  • Modern Museum

    Together with the museum staff, we divided it into several zones: exhibition spaces (permanent and temporary), the Great Lecture Hall complex, the South and North courtyards, the office block, the library, scientific laboratories, and the former basement which is now a transit hub with visitor amenities.

  • Processes instead of Objects

    Since the museum’s concept envisions the regular modernization of its permanent exhibition, which must always keep pace with the times, universal spatial layouts and interior solutions were developed for the exhibition areas, allowing for the installation of various multimedia complexes.
    The distinctive feature of the future museum is that its creators have moved away from the classical museum format focused on displaying physical exhibits. Instead, the new science and discovery museum will be centered not on objects, but on processes. These are the processes of discovery, learning, and interaction. This new museum format will feature a predominance of interactive elements, including digital installations.

  • Mobile and Interactive

    The abundance of interactive elements and rotating exhibitions requires extensive engineering infrastructure and a “black box” exhibition format. To address this, we developed a unified principle applied throughout the entire exhibition: a modular raised floor with movable panels, allowing any interactive element to be placed anywhere and to be connected to utilities. All halls are equipped with a two-stage blackout system: windows feature both blackout curtains and light-filtering drapes.

  • Great Hall

    The Grand Auditorium is a legendary venue for public debate. At various times, it has hosted speeches by Vladimir Lenin, Vladimir Mayakovsky, Niels Bohr, Konstantin Tsiolkovsky, and Le Corbusier. We preserved the hall’s original layout and, using new materials, highlighted its original composition. Now, in addition to its primary function, the lecture hall can serve as a venue for various types of events: concerts, film screenings, and live broadcasts.

  • Courtyard as Part of the Museum

    To increase the museum’s usable space, two inner courtyards are being covered with glass roofs that are invisible from the outside and do not distort the building’s historic appearance. As a result, the Polytechnic Museum will gain two new large halls: the North Hall will serve as a venue for public events, while the South Hall will become a spacious children’s center.

  • Polytech Labs

    The science lab zone is an educational cluster for both young people and adults, offering access to classes in laboratories and coworking spaces.

  • Effective Hub

    The former basement will become a hub from which visitors go up into the museum. It will house all the necessary infrastructure: ticket offices, shops, a cloakroom, information desks, a café, and restrooms. This part of the museum will be open to passersby, who will be able to walk through the underground gallery and, for example, get from the Kitay-Gorod metro station to Lubyanskaya Square.

  • Historic Stairs

    The central, oldest part of the museum will be restored. Together with conservation specialists, we have reconstructed the historic staircase and foyer.

Project team

  • Leaders
    Oleg Shapiro, Dmitry Likin
  • Project team leaders
    Maria Khokhlova, Mikhail Kozlov
  • Architects
    Anna Bychkova, Zhanna Denisheva, Daria Dordina, Elizaveta Edemskaya, Anastasia Volchik, Ilyas Gilmanov, Igor Goroshko, Yulia Zarechkina, Anna Karneeva, Maria Kachalova, Marina Pakhomova, Alexandra Plotnikova, Galina Serebryakova, Ksenia Rakovskaya, Maria Romanova (Panova), Kristina Rykova, Svetlana Safonicheva, Anton Sevastyanov, Tatiana Starchenko, Vasilisa Shishko, Daria Chekmeneva, Igor Yakovlev-Ozmidov, Natalia Saltan, Daria Ionova (Melnik), Alena Sapozhkova (Yakovenko)
  • Chief Project Architect
    Eduard Rusenko